Tanec Pid Werbamy (‘Dance Under the Willows’)
by Pawlo Humeniuk
Once again, I must defer to the National Recording Registry for its excellent explanatory essay on this piece by Maria Sonevytky.
The violinist Pawlo Humeniuk migrated from Ukraine to America when he was 18, in 1902. There he worked with his brother at their instrument-making and -repair shop. He played his fiddle at social functions for immigrants from Eastern Europe. This medley contains a typical number of dance melodies known and loved by his expatriate audience.
At the time of this recording, large amounts of ethnic music were recorded and purchased in America. Though America was the land of opportunity, it also left many feeling stranded, bereft of the cultural milieu in which they matured. Records such as this brought the sounds of the “old country” to life. Humeniuk played for decades, achieving renown as the “king of Ukranian fiddlers.”
The National Recording Registry Project tracks one writer’s expedition through all the recordings in the National Recording Registry in chronological order. Up next: ‘Protesta per Sacco e Vanzetti’.