NRR Project: The
Complete Recordings
Robert Johnson
Recorded 1936 - 1937
It is arguable that this gentleman was the most influential American musician of the 20th century. He only lived to the age of 27. He only recorded 29 songs. Yet he laid down the blues in a magisterial manner, such that everyone who came after him looked to him and his renditions of classic tunes for inspiration, and as building blocks that took them to new levels in rock and jazz.
First I must point you to the excellent essay by Ed Komara at the National Recording Registry on this topic. It outlines what little is known of Johnson’s life (1911-1937) – how he practiced determinedly, until he gained a facility with a guitar that was unmatched. (A legend rose that he sold his soul to the Devil at a crossroads to get the gift of music.) He toured, he recorded sporadically. Finally he me his death under suspicious circumstances (it is rumored he was poisoned by a jealous husband).
Johnson’s songs are an amalgamation of the usual blues topics – sex and the lack of it, traveling, drinking, salvation and the lack of it. What makes his accomplishment so great is his endless facility. His guitar work is compelling and ever-changing, with intricate fingerwork and strongly underlined chords. Listening to multiple takes of some of his songs, it is remarkable to note that he embellishes and supports the song in a completely different and original way each time. His tenor vocals are raw and heartfelt. At his most despairing, the effect on the listener is riveting and unearthly. Combined with his virtuosity, it is music that still makes a great impact.
In 1961, an LP was made of some of Johnson’s songs, and though obscure it got passed around among blues aficionados, in America and in England, which resulted in covers by bands such as the Rolling Stones and Led Zeppelin. “Stop Breaking Down,” “Love in Vain,” “Dust My Broom,” “Sweet Home Chicago”, all these songs have resonated down the decades and still influence the music we listen to today.
When this work was collected, preserved, and presented in close to pristine condition by Sony/Columbia in 1990, it was a big deal. Everyone ran out and got copies of the work of this obscure bluesman from the 1930s, digging deeply into his music, discussing it, playing it. Just as it should be.
The National Recording Registry Project tracks one writer’s expedition through all the recordings in the National Recording Registry in chronological order. Nest time: One O’Clock Jump.