NRR Project: Symphony
No. 9
Composed by Gustav
Mahler
Recorded by the
Vienna Philharmonic Orchestra
Conducted by Bruno
Walter
Recorded Jan. 16,
1938
71 min.
This recording of Mahler’s final completed symphony is significant in that it was one of the last times Jewish musicians were permitted to play in what was soon to be Nazi-controlled Austria.
The conductor, Bruno Walter, was a protégé of Mahler’s, and conducted the premiere of Symphony No. 9 on June 26, 1912, approximately one year after Mahler’s death. The artistic director of the HMV recording outfit, Fred Gaisberg, had a vision of recording the symphony with the same orchestra, the same conductor, and the same venue as at its premiere. This he accomplished after many rehearsals and much tricky work with the recording devices.
The result is an enthusiastic and ethereal journey through Mahler’s concluding musical thoughts. Walter directs with precision wedded to passion, producing an extraordinary recording that is still held up as a supreme example of the recording art almost a century after its creation.
The Nazis invaded Austria shortly after this recording was made, 13 Jewish musicians were dismissed from the orchestra. Walter, a Jew himself, went into exile. Mahler’s music, deemed “Jewish” (Mahler, born Jewish, converted to Catholicism in 1897), was forbidden by the Third Reich. It would take the end of World War II to restore Mahler and Walter to the public eye in Germany. And the terminated musicians? Many were killed in the Holocaust.
The National Recording Registry Project tracks one writer’s expedition through all the recordings in the National Recording Registry in chronological order. Nest time: Louis Armstrong records When the Saints Go Marching In.
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