NRR Project: ‘Fascinating
Rhythm’
Music by George Gershwin; Lyrics by Ira
Gershwin
Performed by Sol
Ho’opi’i and His Novelty Five
Recorded 1938
2:46
First, read the explanatory essay by Guy Cundell; it’s top-notch! He knows his stuff.
This performance is an example of the mutation and development of a certain kind of instrument and a certain kind of music. The “steel guitar” is simply a guitar played utilizing a steel bar on the strings, thus the name. The tradition of laying the guitar flat and playing it that way originated in Hawaii, and when electric guitars were invented, the first kind produced were steel guitars.
Sol Ho’opi’i was a genius on the instrument, and in this selection, you can hear him ringing the changes, improvising wildly as he plows through several choruses of the song, backed up by a subdued but steady supporting cast of rhythm players. Though couched in the chords familiar from Hawaiian tunes, this version of the Gershwin’s “Fascinating Rhythm” is really a jazz piece.
As Ho’opi’I plays, he goes farther and farther out with his chromatic leaps and chord changes, demonstrating the versatility of the instrument. Playing like this developed other instruments such as the dobro, a favorite of bluegrass musicians, also played flat and with a bar. Country music would pick up on the distinctive sound and adapt it to their own uses as well.
It’s a great example of a marginal, minority-made music making its way into the culture, transforming it and itself at the same time.
The National Recording Registry Project tracks one writer’s expedition through all the recordings in the National Recording Registry in chronological order. Nest time: Franz Boas and George Herzog recording of Kwakwaka’wakw Chief Dan Cranmer.
No comments:
Post a Comment