Recitar! Mentre preso dal delirio,
non so più quel che dico,
e quel che faccio!
Eppur è d'uopo, sforzati!
Bah! Sei tu forse un uom?
Tu se' Pagliaccio!
Vesti la giubba e la faccia infarina.
La gente paga, e rider vuole qua.
E se Arlecchin t'invola Colombina,
ridi, Pagliaccio, e ognun applaudirà!
Tramuta in lazzi lo spasmo ed il pianto
in una smorfia il singhiozzo e 'l dolor, Ah!
sul tuo amore infranto!
Ridi del duol, che t'avvelena il cor!
Act! While in delirium,
I no longer know what I say,
or what I do!
And yet it's necessary... make an effort!
Bah! Are you not a man?
You are a clown!
Put on your costume, powder your face.
The people pay to be here, and they want to laugh.
And if Harlequin shall steal your Columbina,
laugh, clown, so the crowd will cheer!
Turn your distress and tears into jest,
your pain and sobbing into a funny face – Ah!
at your broken love!
Laugh at the grief that poisons your heart!
The first of Caruso’s three recordings of the aria in 1902, made only with piano accompaniment, made him a star. Yet he pushes hard in that release. He’s working at full volume, almost bellowing, certainly losing breath too soon during the final phrase. In 1904, he is much more relaxed and expressive, but still wobbly towards the end. By the time we get to this recording in 1907, the one selected for the Registry, Victor Records has sprung for orchestral accompaniment, the space Caruso in singing in is more resonant, and Caruso is more proficient and expressive than before.